It was always different places, different stories, and images as the primary means of communication. My father was a photojournalist and my mum a paparazzi, from an early age I became aware of the frame – how much it imposes, how much it reveals, and how seamlessly you can exist within the reality you are observing.

Before working on film sets, I immersed myself in almost every job I could find, using work as a way to understand people and reality. Those experiences became a foundation for my cinematography. I’m drawn to images that feel lived-in rather than imposed, and to stories that earn their visual language from the world they inhabit.

I began shooting documentaries for British television, where observation and story are inseparable. I later shot my first feature film at nineteen, and have since worked across narrative and commercial projects. Across all formats, my focus remains the same: story first, guided by photographic principles of light, texture, and restraint.

I am currently studying cinematography at the National Film and Television School, continuing to refine my practice while working professionally.